OUR TETHERED KIN

The Abbey Theatre/Everyman Theatre 

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"Katie Honan defying superlatives. Honan’s palpable passion is a masterclass to delight in"

— The Arts Review

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"Katie Honan is striking as the girl, Aeni, and feels almost possessed"

— Irish Independent

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THE SETTLING

Cork Midsummer Festival

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"The physical agility of Raymond Keane as A Man and Katie Honan as A Girl is so remarkable"

— The Irish Times

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THE RIDLEYS

The Abbey Theatre 

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"Katie Honan gives a physically exceptional performance, conjuring up the character of Andrea in movements that are balletic in their effectiveness. Her command of the rapid-fire script is extraordinary"

— Irish Mail On Sunday

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SIN EATERS

ANU, Dublin Theatre Festival 

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"Honan, part maniacal, part hysterically, part channeling forces far beyond her small frame, is utterly outstanding"

— The Arts Review

 

LET THE RIGHT ONE IN

The Abbey Theatre 

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"Honan is electrifying"

— Irish Independent

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"Katie Honan’s physical enactment of the young vampire is also truly astonishing and terrifying"

— NoMoreWorkhorse

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"Honan manages the split-second transition from nymph to monster"

— Phoenix Magazine

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MURDER OF CROWS

Lyric Belfast/Project Arts Centre/Garter Lane 

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"Through changes of posture, expression, and vocal inflection, Honan seemed almost to visibly transform into these characters, and to inhabit their beings. This was a virtuoso performance"

— CAP Arts Centre, The Monthly Review

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HOW TO FALL FLAT ON YOUR FACE

Garter Lane Arts Centre/Project Arts Centre 

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"A dazzling portrait of how a human can be their own worst enemy"

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"Honan is a serious talent on the rise"

— Irish Independent

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"A sensational five star performance"

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"Viscerally unforgettable"

— The Arts Review

 

"Excellent one-person show"

— RTÉ Arena, Best of Theatre 2023

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"Honan’s towering performance"

 

"Playwrights that favour the monologue performance would do well to study the writing here"

—  News & Star

 

"Isolation, alienation and thought provoking images"

 

"Honan described intimacy as like a ferret between her legs"

— Munster Express

 

"It felt like we were in the waiting room with her"

 

"Fantastic performance"

— WLR

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THE FAR AWAY SUN

Project Arts Centre in partnership with Dublin Fringe Festival

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"KT Honan's exotic spectacle"

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"Haunting soundscape"

— The Arts Review

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"It is an ambitious idea, but perhaps more importantly, an incredibly human one"

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"The audience is simultaneously together in a theatre and alone in the head of another person"​

— The Reviews Hub

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"Meticulous, high-tech work by KT Honan"

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"Epic psychological thriller about male trauma"​

— Feeling Good (Chris McCormack)​​